sábado, 23 de abril de 2016

10th UBANGI STOMP (2016)

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Gran Hotel Bali - Benidorm (Alicante) Spain - 15 & 16 April 2016




Ubangi Stomp Festival is held every year in the city of Benidorm, in Spain, and after 10 editions it has become a kind of a classic regarding Rockabilly and Rock'n'Roll festivals. Let's make a short comment about the bands that played in this 10th edition and the great shows they offered. Well, at least let's do it of those bands I managed to watch.

Friday, 15 April 2016

LESTER PEABODY TRIO:


We arrived to the hotel on Friday afternoon, in the nick of time to leave our luggage in our room and off we went to the show of this Finnish band, with the so great Lester Peabody leading it with his amazing guitar skills. There are less than just a few able to play guitar as he does. They played at the jazzy side of Rock'n'Roll, if you see what I mean, with some Hillbilly and Hawaiian flavour. Difficult to explain and difficult not to be open-mouthed all the show long. For a part of the show they got the support of a sax player. If I have to highlight one of the songs they played, it will be for sure their cover of "Caravan".

PIKE CAVALERO:


Friday evening started with this great Rockabilly singer, who had the support of a very good indeed band (with well known musicians in the Spanish Rockabilly scene such as Pepe Lee on slapbass or Jesús López on drums for instance). Probably close to the best we can see and listen to nowadays regarding 50's style Rockabilly. Among the songs played, I'll highlight "Wannabes" or that wonderful adaptation that is "Carrera del Desengaño". To be the band to open the Friday evening show is not an easy task, but Pike Cavalero and his band did a great job.

THE HILLBILLY ROUND-UP SPECIAL SHOW:


It was a kind of experiment, a sort of "All Star" group with several musicians going up and down the stage to play some good, old Hillbilly music. Little Boy Arnold, Lester Peabody and other people from The Barnshakers, El Lega, Pike Cavalero, Junior Marvel and so on did a good job reminiscing old Hillbilly hits (and obscure songs also) from the likes of Johnny Cash, Merle Haggard, etc. An experiment, maybe, but it sounded great... Well, of course, have you noticed the names I've listed? With such artists it had to sound good for sure.

CHARLIE THOMPSON:


Third in the Friday evening show was this British Rockabilly artist. It was the very first time I saw him live and I enjoyed his performance a lot. Very good indeed his versions of "Movie Magg" (Carl Perkins), "Katheleen" (Wally Lewis) and "Barking At The Wrong Tree" (Don Woody).

MIKE WAGGONER (WITH LOS VIBRANTS):


An original 50's recording artist such as Mike Waggoner (he recorded for the Vee label) had the task of closing the show on Friday night (well, it was already Saturday, but who cares), with the very good Los Vibrants backing him. To have the chance to se live an artist of the golden era of Rockabilly is something I like more than a lot. And if that artist gives his everything to do a great show and he has still the voice and the strength, it becomes just marvelous... And that's just what happens with Mr. Mike Waggoner. Terrific show that started full throttle with "Good Rockin' Tonight" and that kept the rhythm and the top quality till the end, highlights being "Cryin', Waitin', Hopin'" (Buddy Holly), "Lotta Lovin'" (Gene Vincent), "Ubangi Stomp" (Warren Smith), etc. So good! I mean, really so good!

Saturday, 16 April 2016

LOS VIBRANTS:

 

Saturday afternoon show was for these guys from Zaragoza, Spain. A top act that left no doubt at all about why they are required once and again for single shows and weekenders. They played Surf, of course, but also Rockabilly and straight Rock'n'Roll, sung and instro, with songs from their own and covers that came not only from the U.S.A. pioneers, but also from Spanish (and some other origins) Rock'n'Roll pioneers. Songs such as "Black Eyes", "Washington Square" (from Spanish band Los Flaps), a beautiful instro "Blue Moon", "Bailando Twist" (from Spanish Dúo Dinámico) or "La Plaga" (from Mexican pioneers Los Teen Tops) sounded terrific. Great musicians and an amusing show, what else can we ask for?. I'm a fan of Los Vibrants, yes sir.

THE KABOOMS:


First group to step on the stage on Saturday evening was The Kabooms, a group I didn't know nothing about even though they have released a CD and they have in their line-up a great guitar player such as El Lega. Suffice to say that after their show they have become one of my favourite Rockabilly bands (and I will write about their record as soon as possible). Amazing show and terrific songs of their own and well chosen covers in a wild 50's Rockabilly style played with rage and guts, as it has to be played. "Pretty Baby" (what a good song!), "One More Time", "Black Days", "I Got News For You", "Rock del Tom Tom" (Johnny Tedesco) and many others sounded astonishing.

DR. SNOUT & HIS HOGS OF RHYTHM:

 

These Finnish band gave the Rhythm'n'Blues touch to the weekender. A good show with 7 musicians on the stage and well played songs such as the well known "(Every Time I Hear) That Mellow Saxophone" (Roy Montrell). Top level musicians.

RILEY McOWEN & THE SLEAZY RUSTIC BOYS:


More good, old Rockabilly was delivered by these guys arrived all the way from Sweden. Of their show I enjoyed above all the good versions they did of "Please, Give Me Something" (Bill Allen & The Back Beats), "Jitterbop Baby" (Hal Harris), "Red Cadillac And A Black Moustache" (Warren Smith) and "Country Boy" (Big Tiny Kennedy).

Unfortunately we couldn't stay for the MFC Chicken show as we had to wake up too early on Sunday morning to drive back home, but it seems they did a great show as they use to.

To the great job done by the bands, it must be added the effort done by the DJ's, who kept the rhythm between concerts and at the end of them.

Brief, one more year a great weekend with very well selected bands, with an almost perfect blend of Rockabilly, Rock'n'Roll, Surf, Rhythm'n'Blues and Hillbilly... and in a good hotel. What else can you ask for? (yeah, OK, perhaps a little bit of DooWop). The organizers must be very proud of their good job. They have all the right to be so.

Looking forward for the 11th edition of Ubangi Stomp.





sábado, 9 de abril de 2016

ALIS LESLEY - HE WILL COME BACK TO ME

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SIDE A = 1. He Will Come Back To Me   2. Heartbreak Harry   3. Handsome Man

SIDE B = 4. So Afraid   5. Why Do I Feel This Way   6. Don't Burn Your Bridges

Sleazy Records / SR10-10


Sleazy Records keeps on amazing us, now with an Alis Lesley 10" in stunning pink vinyl in the "TenXTen" new series. It seems that this series will include 10 inchers compiling the work of more or less obscure artists from the golden era of Rockabilly that have not been honoured with a compilation of their own. Not at all a bad idea.

So there we go with Alis Lesley, who was nicknamed "The Female Elvis" for obvious reasons. Just take a glance to her photo and you'll see what I mean (well, also name and surname were quite similar phonetically). If my info is correct, this record includes all the songs that this Chicago born Rocker recorded. That is the two songs included in her only single released by Era in 1957: the wonderful "He Will Come Back To Me" and the very good "Heartbreak Harry", plus four songs that were not released when they were recorded: "Handsome Man" (recorded at Sun studio and penned by Charlie Rich), "So Afraid", "Why Do I Feel This Way" and "Don't Burn Your Bridges".

The two first songs are two good Rockabillies and the best of all six songs included in this record. The other four are slow songs of much less quality than the two released by Era. Of those four, I think that "Handsome Man" is quite OK, but I do understand why it wasn't released by Mr. Phillips in his Sun Records label. And if the best song is the one that opens the record, "He Will Come Back To Me", I feel that "Don't Burn Your Bridges", the one that closes it, is just the opposite: a dull ballad. So the record starts full throttle but it worsens as the songs go by.

Regarding the sleeve, I like the artwork, with photos that seem to be drawings and brief bio notes.

To make it short, I won't say that this is a "must have" record, but it won't do no harm in the collection of any 50's Rockabilly fan.

Stunning pink vinyl for this record.

lunes, 4 de abril de 2016

TENNESSEE. SECRETOS A VOCES - LAUREN JORDAN (BIOGRAPHY)

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Quarentena Ediciones


Just a few weeks ago (see previous post) I wrote about the double CD released for the 30th anniversary of Tennessee's first record.

Now it's time to write a few words about the band's history, written by Lauren Jordan in an interview format which makes the 239 pages book an easy and fast reading one.

More than this, I believe that it was time for someone to write the history of the Spanish Doo Wop pioneer band. From their first days with the name of The Elvis Boys, their name change to Tennessee, their arrival to success, their fight to keep going on after falling from stardom, etc... All that and much more is what we read in the pages of this book.

Tennessee have played an important role in Spanish Rock'n'Roll history and Lauren Jordan has done a good job with this book.

Interesting book if you're a Tennessee or Doo Wop fan (and you can read Spanish, of course).

domingo, 13 de marzo de 2016

TENNESSEE - 30 Y TENNESSEE

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CD 1 = 1. A Marilyn   2. Crazy Little Mama   3. Runaway   4. Baila conmigo   5. Un poco de tu amor   6. ¿Dónde estabas?   7. Alone   8. ¡Qué triste es el primer adiós!   9. Raquel   10. Poesía en movimiento   11. Un adolescente enamorado   12. Ángela   13. Tu imagen de Rocker   14. Quiero que vengas a mí (a capella)   15. Penas (grabada en 1985)

CD 2 = 1. Hoy estoy pensando en ti   2. La puerta verde   3. Ten cuidado con mi chica   4. Mil palabras de amor   5. Potpurrí con sabor a 50   6. Tu mal humor   7. Tonto por ti   8. Rama Lama Ding Dong   9. No encuentro palabras   10. Te vi correr   11. Siempre lucharé por tu amor   12. Una noche en Malibú   13. Por un minuto de esta noche   14. Llueve en mi corazón   15. Tú debes decidir   16. No puedes pararme   17. Aquel primer beso   18. Un, dos, tres, sexy   19. Dame tu amistad   20. Sueños   21. Quiero acción   22. Paso a paso   23. Bajo la lluvia gris

WARNER MUSIC SPAIN - DRO / EW851



In September 2015 I reviewed the live record ("Luz de Gas") that Tennessee had released, a pioneer band of Doo Wop in Spain. Now is the time to review this double CD, released to celebrate the 30th anniversary of their first record.

For CD 1, they have re-recorded some of the songs of that first record, such as "A Marilyn" ("Put the Blame On Me"), "Crazy Little Mama" or "Un quinceañero enamorado" ("A Teenager In Love"); along with other songs they used to sing in their live shows back then, such as "Runaway" or "Tu imagen de Rocker"; plus one song that has been included as it was recorded in 1985: "Penas" ("Heartaches").

From my point of view, they have achieved a very difficult thing with those re-recordings: to upgrade the sound quality by improving their voices and they musical skills through the time, but without loosing an inch of the feeling, of the freshness, of the original recordings.

Regarding CD 2, it is "just" a compilation of the A sides of their 23 singles released between 1985 and 1993. A collection of songs that any Spanish Rock'n'roll fan will probably know... and all those fans will find themselves singing along from the very first song.

A good way to celebrate such an important event: not many bands can say that they are still rocking together 30 years after their first record and still sounding so good.

Congratulations and thanks, Tennessee, for those 30 years and please keep on Doo Woping for a lot more.

viernes, 11 de marzo de 2016

FUEGO ETERNO (HELLFIRE) - NICK TOSCHES (BIOGRAPHY)

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Contraeditorial


Around 34 years since it was first published in English arrives to the bookstores the Spanish edition of "Hellfire" ("Fuego Eterno" in its Spanish version), the legendary biography written by Nick Tosches about Jerry Lee Lewis' life (well, his life until the early 80's, of course).

It is a book that has been available since so long in English that I find pointless to make a long review in English about the Spanish edition... So then, just a few more words to say that, as you probably already know, it is considered as one of the best, if not just the best, biography written about a Rock'n'Roll star, easy and funny to read. And the Spanish translation I do believe that keeps all these virtues.

Thumbs up for the Spanish edition of "Hellfire"... even such a long time after its English original version was published.

domingo, 6 de marzo de 2016

RIC & THE DUKES - DON'T FIGHT (EP)

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SIDE A = 1. Dirty Mouth   2. Don't Fight

SIDE B = 3. Just Can't Wait   4. My Own Mistake

Sleazy Records / SR-51


Brand new release by Sleazy Records even if, funnily enough, it has catalogue number SR-51 while other 7" released by the label more or less at the same time are above the "100th"... Nothing of much importance, anyway.

Ric & The Dukes are a Rockabilly band formed in the South of Spain by Ángel Arlandi (vocals and rhythm guitar), Carlos Jiménez (lead guitar), Antonio Smiley (upright bass) and Pedri Miranda (drums). What these guys offer us in this record is just that: Rockabilly in a beautiful 50's style.

On side A, with "Dirty Mouth" and "Don't fight" they put the strength more on the "Rock" half of Rockabilly; while on the B side, with "Just Can't Wait" and "My Own Mistake", it is the "Billy" half of the word which gets a little bit more of importance (being much more evident on "My Own Mistake") but never forgetting the "Rock".

All four songs, by the way, have been penned (or co-penned) by band members and are sung in English.

A good record.

viernes, 4 de marzo de 2016

THE TACOMAS - TOP HITS (EP)

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CARA A = 1. Hole In My Heart   2. If You Think I'm Wrong

CARA B = 3. Let's Talk About Love   4. One More Time

Sleazy Records / SR102


Funny title for this EP from The Tacomas released by Sleazy Records, "Top Hits", when it is... their first record released! But even if it is the first record for The Tacomas, we have to take into account that the members of this band have long CV's and have played (or still are playing) in well known bands for the Spanish Rockabilly fans.

Regarding the four songs included in this EP, three of them have been written by "Chuco" (lead guitar & vocals) and one by Rafael García (rhythm guitar & vocals), all of them sung in English and all of them in a good, old, 50's style Rockabilly. No covers here. By the way, Santiago Sacristán (bass) and Javier Sarmentero (drums) complete the line-up. Had I to highlight one song, probably I would pick "Hole In My Heart"... or maybe "Let's Talk About Love".

If you like 50's style Rockabilly, I believe you're going to like this record.